{"id":2068,"date":"2018-10-01T10:45:36","date_gmt":"2018-10-01T10:45:36","guid":{"rendered":"https:\/\/uoesterl.expressions.syr.edu\/?p=2068"},"modified":"2018-10-01T10:58:30","modified_gmt":"2018-10-01T10:58:30","slug":"machinima-inc-seeing-the-story-in-video-games","status":"publish","type":"post","link":"https:\/\/uoesterl.expressions.syr.edu\/?p=2068","title":{"rendered":"Machinima, Inc.: Seeing the Story in Video Games"},"content":{"rendered":"

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Courtesy of Machinima, Machinima Logo<\/figcaption><\/figure>\n

Machinima, as a form of entertainment, describes the animated, narrative videos developed with the use of computer game technology that originally came about in the 1990s (Lowood, 2017). A few years later, in 2000, Hugh Hancock founded Machinima, Inc., which became a pioneer in a new, young form of entertainment (\u201cCompany Overview,\u201d 2018). When he started the business, he coined the term that would not only become his company\u2019s new name, but also the name of the animated medium itself (Callot, 2009). The \u201cmachine\u201d aspect of a video game and \u201ccinema,\u201d referring to the story traditionally told through a movie, were combined to form the new expression (Callot, 2009).<\/p>\n

Located in Burbank, California, Machinima, Inc. has been looking to grow its relatively young brand (\u201cCompany Overview,\u201d 2018). The company has already begun this process, recently making a few changes to top management positions that should help to lead the company to new levels of success in the future. Russell Arons, for instance, was just made general manager of the company in 2017 (McGuire, 2017). Other important management personnel include people such as Chief Executive Officer, Chad Gutstein, and Chief Revenue Officer, Jamie Weissenborn (\u201cCompany Overview,\u201d 2018). The reported number of employees working under these executives varies, with the number coming in as low as 90 in 2015 (Needleman & Dulaney 2015). In 2013, however, that number was at 206 prior to a layoff of ten percent (Kafka, 2013). Currently, estimates are at 260 from another source, so it is safe to say that, based on these estimates, a couple hundred people are currently employed by Machinima, Inc. (\u201cMachinima\u2019s Competitors,\u201d 2018).<\/p>\n

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Courtesy of Warner Bros., Warner Bros. Logo<\/figcaption><\/figure>\n

Next, Machinima, Inc. has a number of assets that have propelled it to the position it currently finds itself in. First off, its greatest asset might be the fact that it was acquired by Warner Bros. in November of 2016 (\u201cMachinima Announces,\u201d 2018). Of course, this is not a literal asset owned by the company, but backing from such a successful company has allowed for greater opportunities in the world of entertainment and the ability to bring in more resources for the company. For example, Machinima, Inc. was able to recruit well-known actors Mark Hamill, Ron Perlman, and Jaime King for its \u201cTransformers\u201d miniseries, Power of the Primes<\/a>\u00a0<\/em>(McMillan, 2018). Other assets are used to improve the quality of the work put out by those creators partnering with the company. One of those resources is its library of 150,000 tracks of royalty free music and sound effects accessible to creators for use in their videos (\u201cMachinima.com\u201d). More assets of this nature include performance analytics for creators in addition to other processes, such as search engine optimization and social media management tools (\u201cMachinima.com\u201d).<\/p>\n

As was described at the beginning of this article, Machinima, Inc. is a provider of narrative videos created using video game engines. Understanding that this is the company\u2019s output is key to understanding its target audience. Somewhat unsurprisingly, those who generally watch its content happen to be males aged 18 to 34 (Baumgartner, 2018). In fact, Machinima, Inc.\u2019s videos are at the top of YouTube when it comes to the 18 to 34 and 18 to 49 categories of viewers (\u201cMachinima \u2013 First,\u201d 2014).<\/p>\n

It is also important to note Machinima, Inc.\u2019s primary competitors, which include companies like Maker Studios and Fullscreen Media (\u201cMachinima\u2019s Competitors, 2018\u201d). Fullscreen Media competes for similar \u201cyouth culture\u201d oriented audiences and, like Machinima, Inc., has created a number of series with many episodes (\u201cFullscreenmedia.co\u201d).<\/p>\n

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Courtesy of YouTube, YouTube Logo<\/figcaption><\/figure>\n

Without a sustainable revenue model, Machinima, Inc. would not have found so much success in its target audience for the past 18 years. Because of this continued success, the company has found different streams of revenue in a number of places. First of all, most of the money Machinima, Inc. brings in is through advertisements (Needleman & Dulaney, 2015). Its videos appear on numerous websites and streaming services, including YouTube, go90, Amazon, Twitch, PlayStation Vue, and AMC Networks International, among others (\u201cMachinima.com\u201d). Because Machinima, Inc.\u2019s content appears on so many different platforms, it has the ability to pull in this advertisement revenue from many different sources, garnering views from 144 million viewers every month (\u201cMachinima.com\u201d). With over 320 million subscribers as of March of 2014, YouTube is absolutely its chief channel for distribution (Winkler, 2014). Still, numerous companies, including Machinima, Inc., have expressed their discontent with how insignificant advertisement rates are, and have looked elsewhere for additional streams of revenue (Winkler, 2014).<\/p>\n

Merchandise is another avenue Machinima, Inc. uses to bring in money. The video game animation company offers creators the option to sell things such as T-shirts, hoodies, iPhone cases, and other items to interested fans of certain channels (\u201cMachinima.com\u201d). Moreover, since being acquired by Warner Bros., Machinima, Inc. has started to bring in revenue in multiple new ways. First, by providing data and content creation services to their parent company (Baumgartner, 2018). In addition to this, as of 2014, the company instructed its sales force to find sponsorships and other businesses willing to use product placement in their videos (Winkler, 2014).<\/p>\n

In addition to all of this, it is important to discuss what Machinima, Inc. is doing right now, as well as a few things the company plans to do in the future. First, a rebranding of the company in early 2018 has promised to reinvigorate a number of exciting programs. For instance, the company will have a presence at a number of conventions, such as PAX East, and will host live eSports tournaments within its own studios (“Machinima Announces,” 2018). Furthermore, the company is starting to partner with several other distributors to help its content\u2019s reach. It has already launched a few shows with Facebook Watch and plans to continue doing so in the future (“Machinima Announces,” 2018). Machinima, Inc. has also just recently entered into a partnership with Tankee Inc., a company focused on providing consumers with family-friendly gaming videos in order to provide children with a site that parents can trust (\u201cTankee Inc.,\u201d 2018).<\/p>\n

Overall, this rebrand and acquisition by Warner Bros. has clearly pushed Machinima Inc. to diversify its distribution channels and to reconnect with its target audience. Overall, Machinima, Inc. looks to be heading in the right direction and will most likely continue to experience a healthy level of success.<\/p>\n

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Citations<\/p>\n

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Baumgartner, Jeff. (2018, February). Machinima Updates its Game Plan.\u00a0Multichannel <\/em>News,\u00a039<\/em>(5), 34. Retrieved from https:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2012403298?accountid=14214<\/a><\/p>\n

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Callot, Sean Jacques Cecil (2009).\u00a0Deus ex machinima: A rhetorical analysis of user-generated <\/em>machinima<\/em>[Abstract]. ProQuest Dissertations & Theses Global<\/em>. Retrieved from https:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/304865511?accountid=14214<\/a><\/p>\n

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Company Overview of Machinima, Inc. (2018). Retrieved from\u00a0 \u00a0https:\/\/www.bloomberg.com\/research\/stocks\/private\/snapshot.asp?privcapId=50132088<\/a><\/p>\n

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Fullscreenmedia.co. Retrieved fromhttps:\/\/fullscreenmedia.co\/brands\/<\/a><\/p>\n

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Kafka, Peter (2013, September 18). Machinima, YouTube’s Giant Gamer Network, Lays Off 10Percent of Staff — All Things D.\u00a0Dow Jones Institutional News<\/em>\u00a0Retrieved fromhttps:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2090895196?accountid=14214<\/a><\/p>\n

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Lowood, Henry. (2017). Machinima. In\u00a0The SAGE encyclopedia of out-of-school learning<\/em>\u00a0(Vol.1, pp. 451-452). Retrieved from http:\/\/dx.doi.org.libezproxy2.syr.edu\/10.4135\/9781483385198.n176<\/a><\/p>\n

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Machinima.com. Retrieved fromhttps:\/\/www.machinima.com\/about-us\/<\/a><\/p>\n

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Machinima Announces Rebrand, Illustrates Company’s Powerful Evolution as Part of WarnerBros. (2018, February 14).\u00a0Targeted News Service.<\/em>\u00a0Retrieved fromhttps:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2002478032?accountid=14214<\/a><\/p>\n

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Machinima\u2019s Competitors, Revenue, Number of Employees, Funding, and Acquisitions (2018).\u00a0Retrieved from\u00a0https:\/\/www.owler.com\/company\/machinima<\/a><\/p>\n

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Machinima – First global Many2Many Programming Service and Home to 3 Billion Monthly Views and 400 Million Subscribers – Rebrands. (2014, November 10).\u00a0PR Newswire<\/em>\u00a0Retrieved from https:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/1622041380?accountid=14214<\/a><\/p>\n

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McGuire, Paul (2017, March 17). Russell Arons Named General Manager, Machinima.\u00a0Business<\/em>Wire <\/em>Retrieved fromhttps:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/1878192479?accountid=14214<\/a><\/p>\n

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McMillan, Graeme (2018, January 9). Mark Hamill, Ron Perlman, Jaime King Join\u2018Treansformers\u2019 Animated Series. Retrieved from\u00a0https:\/\/www.hollywoodreporter.com\/heat-vision\/mark-hamill-ron-perlman-join-transformers-animated-series-1073130<\/a><\/p>\n

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Needleman, Sarah E. & Dulaney, Chelsey (2015, September 2). Machinima settles FTC Charges\u00a0Over Xbox One Endorsements — Update.\u00a0Dow Jones Institutional News<\/em>\u00a0Retrieved from https:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2064250079?accountid=14214<\/a><\/p>\n

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Tankee inc. launches the first kids gaming network creating a safe digital destination for kids to enjoy gaming videos. (2018, July 25).\u00a0NASDAQ OMX’s News Release Distribution Channel<\/em>\u00a0Retrieved fromhttps:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2075490505?accountid=14214<\/a><\/p>\n

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“Transformers: Power of the Primes – The Swamp.” Youtube<\/em>, Uploaded by Machinima, 10 July, 2018,\u00a0https:\/\/www.youtube.com\/watch?v=zyJCQRnSVvo<\/p>\n

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Warnerbros.com. Retrieved from\u00a0https:\/\/www.warnerbros.com<\/a><\/p>\n

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Winkler, Rolf (2014, March 6). Machinima Cuts Staff, Nears Funding from Warner Bros. — WSJ\u00a0blog.\u00a0Dow Jones Institutional News<\/em>\u00a0Retrieved fromhttps:\/\/search-proquest-com.libezproxy2.syr.edu\/docview\/2080976764?accountid=14214<\/a><\/p>\n

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YouTube.com. Retrieved from\u00a0https:\/\/www.youtube.com<\/a><\/p>\n

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  Machinima, as a form of entertainment, describes the animated, narrative videos developed with the use of computer game technology that originally came about in the 1990s (Lowood, 2017). A few years later, in 2000, Hugh Hancock founded Machinima, Inc., which became a pioneer in a new, young form of entertainment (\u201cCompany Overview,\u201d 2018). When he started the business, he coined the term that would not only become his company\u2019s […]<\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/posts\/2068"}],"collection":[{"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2068"}],"version-history":[{"count":5,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/posts\/2068\/revisions"}],"predecessor-version":[{"id":2092,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=\/wp\/v2\/posts\/2068\/revisions\/2092"}],"wp:attachment":[{"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uoesterl.expressions.syr.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}